Position: Overnights/ Production Department
RPI (Requests Played per Inning): 642 w a 4.02 era
Errors (In Pronunciation): I don’t have any idea what the number is but I am sure I lead the station in mispronunciation…probably spelling too…J
JWA (John Williams Average): uuuummmmm
Rookie Training: WCCC, WAAF, WWRX….I have cut and partied with the best and the worst. Los Angeles, Hartford, Boston, Providence, Las Vegas…New York.
Favorite Classical Work: Depends on my mood…are we talking erotic or murder?
Favorite Film Score: Braveheart…celtic and horns baby!
Favorite Cartoon Character: Foghorn Leghorn
More Info: With me it’s all about living in the present. Never look back…tonight see the Red Sox play, go to Friday night fights, UFC good, WSOP better…Vegas? What time does our flight leave…my passport is valid and I am ready to fly! Vacation must always involve a body of water and a beach…and a warm body for company..:)
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Conductor
General and Artistic Director,
Connecticut Opera
Appointed General and Artistic Director of The Connecticut
Opera (Hartford) in July, 1999, MAESTRO WILLIE ANTHONY
WATERS has conducted numerous noteworthy productions
and events for the company, including the Arena production
of AÏDA in 1991, OTELLO in 1997, PORGY AND BESS
in 1998, A CAPITOL CONCERT in Bushnell Park during
the summer of 2000, and DENYCE GRAVES IN CONCERT (which
opened the company’s 60th Anniversary season).
Maestro Waters has been a guest conductor for the
Arizona Opera, Australian Opera, Cologne Opera (Germany),
Edmonton Opera, Florida Grand Opera, Fort Worth Opera,
Houston Ebony Opera, Manitoba Opera (Winnipeg), Michigan
Opera Theatre, Opera Carolina, Opera Colorado, L’Opéra
de Montréal, Opera Festival of New Jersey,
Orlando Opera, San Francisco Opera, Vancouver Opera
and the opera companies of Cape Town, Pretoria and
Durban, in South Africa. Among his orchestral engagements
are performances with the Florida Philharmonic, Detroit
Symphony, Hartford Symphony, Bavarian Radio Orchestra
(Munich), Essen Philharmonic (Germany), Brucknerhaus
Orchester (Linz, Austria) and Indianapolis Symphony.
Maestro Waters also serves as Artistic Advisor and
Conductor of the Houston Ebony Opera Guild, where
he has conducted OTELLO, TOSCA, SUOR ANGELICA and
HIGHWAY ONE, USA (William Grant Still), THE BARBER
OF SEVILLE and LA BOHÈME, set during the Harlem
renaissance of the 1920’s.
During the 2001-2002 season, Maestro Waters was a
guest with the Hartford Symphony on three occasions:
Handel’s MESSIAH, featuring the Hartford Chorale,
a subscription concert featuring music of Wagner and
Tchaikovsky, and the third annual Martin Luther King
celebration. He also conducted the “African
American Gala” with the chorus of the Houston
Ebony Music Society.
In September 2002, Maestro Waters conducted a gala
concert with Denyce Graves in celebration of the 20th
anniversary of Opera Colorado in Denver. In November,
Maestro Waters made his New York City Opera debut
conducting RIGOLETTO. During Connecticut Opera’s
2002-2003 season, he conducted productions of TURANDOT,
SALOME and MADAMA BUTTERFLY.
His schedule during the 2003-2004 season includes
RIGOLETTO for Houston Ebony Opera, his return to New
York City Opera for Carlisle Floyd’s OF MICE
AND MEN, and SALOME for Kentucky Opera. For Connecticut
Opera, he will conduct LUCIA DI LAMMERMOOR and RIGOLETTO. |