Symphonic/Operatic Cultural Exchange

Chat with fellow classical music fans about your favorite composers. Ask a question about your favorite composition. Musicians are encouraged to post their ideas about music or a performance! This forum is for classical music fans from all around the world! Join in a classical conversation today.

Moderator: Nicole Marie

Symphonic/Operatic Cultural Exchange

Postby hal 9000 » Thu Mar 01, 2007 9:26 pm

Okay OT! Let's get this thing rolling...

My first symphonic selection for you is an essential one IMO, and one that I think you will enjoy time and time again (If you do not, then all hope is lost! :P ):

Beethoven- Symphony No. 3 in Eb major, Op. 55 "Eroica"

This is the famed symphony that Beethoven had originally intended to dedicate to Napoleon Bonaparte, whom he admired for vanquishing of aristocracy. Of course, the victorious Napoleon gained much power and eventually named himself Emperor of France, infuriating Beethoven. The dedication was removed and the symphony was renamed "Eroica" or "heroic." (I'm sure you've heard this story before, being a B.com listener :P)

This symphony also marked a shift in the symphonic form. Sans the typical lengthy introduction that slowly builds up to the main theme, Beethoven simply has the orchestra strike 2 sudden chords and then the main theme begins. This symphony, some say, marked the birth of the Romantic era, as it broke the mold of Mozart and Haydn with its large scope and high emotional impact... the first grand symphony, and a precursor of what was to come from Beethoven.

Personally, I think this symphony contains the most genius passage Beethoven ever wrote, a 2 minute section occuring during the second movement starting at m114 (about the 8'00" minute mark) and ending with m154 (about the 10'15" mark). With a very hauntingly beautiful melody, he unleashes a titanic amount of emotion using superb harmonies and other worldly orchestration. This, IMHO, is perfection. It will grab you and fill you with joy, sorrow, happiness, and dread- all at once- and then release you gently with dark, descrendoed chords that take you back to the movements opening theme.

Of course, this symphony is filled with genius- it is, afterall, Beethoven. Listen and enjoy. :D

And the opera I am to see, sir? (I will try to find a video if possible)
Gentleman! You can't fight in here. This is the War Room!
hal 9000
1st Chair
 
Posts: 2804
Joined: Thu Aug 01, 2002 12:01 am
Location: Gainesville, FL

Postby navneeth » Fri Mar 02, 2007 1:36 am

How about you guys also add your favourite recording(s) of the symphony/opera? :)
Navneeth

Check out the History of the 30Q Game
navneeth
2nd Chair
 
Posts: 1873
Joined: Sun Mar 12, 2006 1:01 am
Location: Madras, India

Postby hal 9000 » Fri Mar 02, 2007 9:03 am

navneeth wrote:How about you guys also add your favourite recording(s) of the symphony/opera? :)


Sorry navneeth. I am not a such a connoisseur of classical music to have listened to multiple recordings by numerous different orchestras. I can only tell you the 2 recordings that I have, which I think are both very good, but have nothing else to which I can compare them. I'm happy with the recordings I have and therefore have never shopped around to listen to others.

One recording I have that I can tell you right now:

Berlin Philharmonic Orchestra, Herbert von Karajan conducting (recorded in November, 1962 apparently):

Image

The other recording I can't remember who performed and conducted. CD is at home and I am not at the moment.
Gentleman! You can't fight in here. This is the War Room!
hal 9000
1st Chair
 
Posts: 2804
Joined: Thu Aug 01, 2002 12:01 am
Location: Gainesville, FL

Re: Symphonic/Operatic Cultural Exchange

Postby Catmando » Fri Mar 02, 2007 9:13 am

hal 9000 wrote:Personally, I think this symphony contains the most genius passage Beethoven ever wrote, a 2 minute section occuring during the second movement starting at m114 (about the 8'00" minute mark) and ending with m154 (about the 10'15" mark). With a very hauntingly beautiful melody, he unleashes a titanic amount of emotion using superb harmonies and other worldly orchestration. This, IMHO, is perfection. It will grab you and fill you with joy, sorrow, happiness, and dread- all at once- and then release you gently with dark, descrendoed chords that take you back to the movements opening theme.


I totally agree Hal. That part of the Funeral March movement is an emotional juggernaut! :)
Catmando
1st Chair
 
Posts: 2866
Joined: Tue Feb 07, 2006 1:01 am

Postby OperaTenor » Fri Mar 02, 2007 10:55 am

Hi Hal,

I'm on it. I have a recording(or maybe even two), and I don't think it's Herbie. I should have it done over the weekend.
"To help mend the world is true religion."
- William Penn

http://www.one.org
OperaTenor
Patron
 
Posts: 10457
Joined: Wed Dec 11, 2002 1:01 am
Location: Paradise with Piq & Altoid, southern California


Return to Musical Notes

Who is online

Users browsing this forum: No registered users