As OT said, not a memorable section to hum in the entire piece, but very pleasant listening through-out.
The SDO version was notable for the incredibly well balanced voices. Anya Harteros had demonstrated great courtesy and skill in Don Carlo, pulling back so not to dominate the tenor. In this production, she didnt need to hold back. The male voices were plenty able to hold their own (1 tenor, 1 bass, multiple baritones). It was a delight. Anya is worth seeking out. She is notable for her acting as well as her superb singing.
If the singers had been less complementary, it could be a boring opera. Kudos to Ian and the SDO.
The chorus was heard "from off" more than from on-stage. OT has matered "prudct placement" - he was front and center (stageR) in the first Act and very visible in the 'senate' scene. Most of the group found him when he was torchwaving, but I confess I didnt manage to see him thru the flags and bright lights) He was quite restrained when given a sword to wave
