Pretty, pretty is dying.
People will define pretty differently. For the purposes of this piece, I define pretty as a mutually enriching balanced combination of beauty and projected innocence.
Once upon a time, women wanted to project an innocence. I am not idealizing another age and I have no illusions about the virtues of our grandparents, concupiscence being what it is. But some things were different in the back then. First and foremost, many beautiful women, whatever the state of their souls, still wished to project a public innocence and virtue. And that combination of beauty and innocence is what I define as pretty.
By nature, generally when men see this combination in women it brings out their better qualities, their best in fact. That special combination of beauty and innocence, the pretty inspires men to protect and defend it.
Young women today do not seem to aspire to pretty, they prefer to be regarded as hot. Hotness is something altogether different. When women want to be hot instead of pretty, they must view themselves in a certain way and consequently men view them differently as well.
As I said, pretty inspires men’s nobler instincts to protect and defend. Pretty is cherished. Hotness, on the other hand, is a commodity. Its value is temporary and must be used. It is a consumable.
Nowhere is this pretty deficit more obvious than in our “stars,” the people we elevate as the “ideal.” The stars of the fifties surely suffered from the same sin as do stars of today. Stars of the fifties weren’t ideal but they pursued a public ideal different from today.
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