Secret formula for fiddles?

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Secret formula for fiddles?

Postby barfle » Wed Nov 29, 2006 5:48 pm

It seems that researchers have discovered that some form of chemical treatment of the wood had something to do with how nice Strads and Guarneris sound.

Just a companion piece to the one HRH covered about carbon fiber instruments.
--I know what I like--
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Postby piqaboo » Wed Nov 29, 2006 6:07 pm

Wow.
S'far as I know, the only chemical treatment my fiddle has been exposed to was varnish and epoxy.
Altoid - curiously strong.
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Postby violinist4ever » Fri Dec 01, 2006 11:31 am

that's so interesting. I wonder if they put those chemicals on any violin, no matter how poor the quality, if it would make a huge difference in the sound. That would be an interesting "experiment".
:)
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Postby trombonepirate » Fri Dec 01, 2006 6:56 pm

I actually heard Nagyvary give a lecture on this subject and it was fascinating, even to a brass player. I think though the chemicals have to be soaked into the wood before the violin is made, so revarnishing an old violin probably wouldn't have much effect.
TBP
"Never look at the trombones. It only encourages them."
--Richard Strauss
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Postby Trumpetmaster » Mon Dec 04, 2006 6:54 am

trombonepirate wrote:I actually heard Nagyvary give a lecture on this subject and it was fascinating, even to a brass player. I think though the chemicals have to be soaked into the wood before the violin is made, so revarnishing an old violin probably wouldn't have much effect.
TBP


TBP,
It is a fascinating process....



I have 4 Bb Trumpets in my arsenal...

Each has a different thickness in the metal

One I call my tank........ Metal is thick.... Deep dark tone......
for classical playing....

Another has thin metal.... and a smaller bore size, when I'm playing
lead trumpet...

Glad to see you back on the BBB!

:D
Ability is what you're capable of doing. Motivation determines what you do. Attitude determines how well you do it.
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Postby trombonepirate » Sat Dec 09, 2006 8:42 pm

It's good to be back! I think I'll have to steal your name "The Tank". I'm restoring a c. early 20th century trombone that must be made of adamantium.

My main trombone could vie for that nick name too. I had a fridge dropped on it once (man did I yell some profanities that day, stupid moving crew *fist shaking icon*). It was just in a gig bag/semi hard case so I thought it was a goner but it really didn't have that much damage at all.

Nothing beats a thick, rich, orchestral trumpet sound though. Except trombone obviously. Any recommendations on Hummel recordings?
"Never look at the trombones. It only encourages them."
--Richard Strauss
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